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Nikolai Lugansky plays Chopin beautifully. He brings out Chopin's classical side, clarity and precision, rather than the romantic. Rubato is delicately perceptible and limited to moments of musical necessity. But from what we know about Chopin's own style of playing, it is not difficult to imagine that he would have approved. The performance of the Nocturne Op 48 n°1 is of particular interest. It is not one of the most often performed Nocturnes and receives a splendid reading By Lugansky.
Chopin Études Opus 10
1 in C major
2 in A minor
3 in E major
4 in C♯ minor
5 in G♭ major
6 in E♭ minor
7 in C major
8 in F major
9 in F minor
10 in A♭ major
11 in E♭ major
12 in C minor
The recordings of both sets of Etudes, Op 10 and Op 25, are available on Erato records. I heartily recommend their purchase. Perhaps not since Vladimir Ashkenazy burst on the scene in the late 1950s with his first MK recording of the full set, and Maurizio Pollini did the same about 10 years later, has there been as exciting a complete recording of the Chopin Etudes.
Chopin Études Opus 25
1 in A♭ major
2 in F minor
3 in F major
4 in A minor
5 in E minor
6 in G♯ minor
7 in C♯ minor
8 in D♭ major
9 in G♭ major
10 in B minor
11 in A minor
12 in C minor
Chopin Ballades
3 in A♭ major, Op 47
4 in F minor, Op 52
Recorded in 2004
Part I
Part II
4 in F minor, Op 52
Recorded in 2012
Chopin Fantaisie in F minor, Op 49
Chopin Barcarolle in F♯ major, Op 60
Chopin Fantaisie-Impromptu in C♯ minor, Op.66
Chopin Nocturnes
recorded in 2004
8 in D♭ major, Op27 n2
13 in C minor, Op 48 n1
Chopin Preludes Opus 28
17 in A♭ major (Allegretto)
24 in D minor (Allegro appassionato)
Chopin Polonaise in A♭ major, Op 53
For those of you who enjoy murder mysteries, here is my first with a strong musical polemic as background
Murder in the House of the Muse
which is also available as an audiobook.
And this is the more recently published second mystery in the series:
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