VASSILY SAPELLNIKOFF (1867-1941)
Russian Pianist






Vassily Sapellnikoff was a pupil of Sophie Menter, a great piano virtuoso and one of Franz Liszt's favorite students. He was a highly respected concert painist and became a professor of piano at the Moscow Conservatory in 1897.

Sapellnikoff was a close friend of Tchaikovsky's (it is rumored they were lovers), whose B♭ minor concerto he performed to great acclaim at his debut with the composer conducting. He was the first to record the work in 1926. This performance offers a view of the composer's own conception of the work as being considerably less a vehicle for technical supremacy than we are accustomed to today.

Tchaikovsky wrote, "A rare force, beauty, and brilliancy of tone; inspired warmth of rendering; a wonderful power of self-restraint; finish of detail, musical sensibility, and complete self-confidence. These are the distinguishing characteristics of Sapellnikoff's playing." High praise indeed!

Sapellnikov left a handful of recordings of solo works for piano. Some of these recordings are of relatively unfamiliar works by Russian composers: Alabiev, Balakirev, Liadov, and Sapellnikov himself. They give us a charming view of late 19th Century Russian Salon piano music and how it was played.

The more familiar Mendelssoh Scherzo is a refreshing delight, as are the pieces by Tchaikovsky and Wagner-Liszt.




Sapellnikoff Gavotte, Op 4 ~2
recorded in 1923







Alabiev-Liszt "Le Rossignol"
recorded in 1923







Balakirev Mazurka 4 in G♭ major
recorded in 1925







Liadov "Musical Snuff Box" Op 23
recorded in 1925







Mendelssohn Scherzo in E minor, Op 16 ~2
recorded in 1924







Liszt Valse Impromptu
recorded in 1925







Liszt "Gnomenreigen"
recorded in 1925







Wagner-Liszt "Spinning Song" from The Flying Dutchman
recorded in 1925







Brahms Hungarian Dance 6 in D♭ major
recorded in 1924







Tchaikovsky Humoresque in G major, Op 10 ~2
recorded in 1924







Tchaikovsky Piano Concerto 1 in B♭ minor, Op 23
Stanley Chapple conducting the Aeolian Orchestra
recorded in 1926


ia Allegro non troppo e molto maestoso. Allegro con spirito (beginning)






ib Allegro non troppo e molto maestoso. Allegro con spirito (conclusion)






ii Andantino simplice – Prestissimo






iii Allegro con fuoco















Here is my new book, a murder mystery with a musical polemic






and the audiobook version



Click here to return to the Great Pianists Play page


Click here to go to the Great Composers page


Click here to go to the Interpretation page


Click here to go to the Great Women Pianists Play page


Click here to return to the Piano Concerto page